{"id":9247,"date":"2026-03-01T07:00:00","date_gmt":"2026-03-01T06:00:00","guid":{"rendered":"https:\/\/sorbetkiwi.fr\/?p=9247"},"modified":"2026-02-23T11:38:38","modified_gmt":"2026-02-23T10:38:38","slug":"le-liseur-de-bernhard-schlink","status":"publish","type":"post","link":"https:\/\/sorbetkiwi.fr\/index.php\/le-liseur-de-bernhard-schlink\/","title":{"rendered":"Le liseur de Bernhard Schlink"},"content":{"rendered":"\t\t
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Le liseur devant l'Opera sur le fjord d'Oslo<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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R\u00e9sum\u00e9<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00c0 quinze ans, Micha\u00ebl fait par hasard la connaissance, en rentrant du lyc\u00e9e, d’une femme de trente-cinq ans dont il devient l’amant. Pendant six mois, il la rejoint chez elle tous les jours, et l’un de leurs rites consiste \u00e0 ce qu’il lui fasse la lecture \u00e0 haute voix. Cette Hanna reste myst\u00e9rieuse et impr\u00e9visible, elle dispara\u00eet du jour au lendemain.<\/p>

Sept ans plus tard, Micha\u00ebl assiste, dans le cadre de des \u00e9tudes de droit, au proc\u00e8s de cinq criminelles et reconna\u00eet Hanna parmi elles. Accabl\u00e9e par ses coaccus\u00e9es, elle se d\u00e9fend mal et est condamn\u00e9e \u00e0 la d\u00e9tention \u00e0 perp\u00e9tuit\u00e9. Mais, sans lui parler, Micha\u00ebl comprend soudain l’insoup\u00e7onnable secret qui, sans innocenter cette femme, \u00e9claire sa destin\u00e9e, et aussi cet \u00e9trange premier amour dont il ne se remettra jamais.<\/p>

Il la revoit une fois, bien des ann\u00e9es plus tard. Il se met alors, pour comprendre, \u00e0 \u00e9crire leur histoire, et son histoire \u00e0 lui, dont il dit : \u00ab\u00a0Comment pourrait-ce \u00eatre un r\u00e9confort, que mon amour pour Hanna soit en quelque sorte le destin de ma g\u00e9n\u00e9ration que j’aurais moins bien su camoufler que les autres ?\u00a0\u00bb<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Une mise en abyme fascinante malgr\u00e9 une \u00e9coute contrari\u00e9e<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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J\u2019ai d\u00e9couvert Le liseur<\/strong> en alternance entre la version allemande publi\u00e9e chez Diogenes et le livre audio chez Gallimard audio, \u00e9cout\u00e9 sur Spotify. Il y a quelque chose d\u2019assez fou dans ce dispositif : dans le roman, Michael lit \u00e0 Hanna, puis il \u00e9crit son histoire, et nous l\u2019\u00e9coutons \u00e0 notre tour. La narration de Samuel Labarthe m\u2019a convaincue. Sa voix et ses intonations servent tr\u00e8s bien la gravit\u00e9 du texte.<\/p>

En revanche, j\u2019ai \u00e9t\u00e9 profond\u00e9ment agac\u00e9e par l\u2019ajout de longs passages de musique classique. Plac\u00e9s parfois en d\u00e9but ou fin de chapitre, parfois en plein milieu, ils m\u2019ont oblig\u00e9e \u00e0 manipuler mon t\u00e9l\u00e9phone sans cesse pour avancer. Lorsque l\u2019on \u00e9coute un livre audio en conduisant ou en ayant les mains occup\u00e9es, cela casse totalement l\u2019immersion. Cette frustration n\u2019enl\u00e8ve rien \u00e0 la qualit\u00e9 du texte, mais elle a clairement impact\u00e9 mon exp\u00e9rience d\u2019\u00e9coute.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Seulement voil\u00e0 : fuir n'est pas seulement partir, c'est aussi arriver quelque part.\"<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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M\u00e9moire allemande et fracture g\u00e9n\u00e9rationnelle<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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J’ai lu Le liseur<\/strong> dans le cadre de mon projet autour de l\u2019identit\u00e9 allemande et de la RDA<\/a>. Le lien n\u2019est pas direct, mais il me semblait essentiel de commencer par l\u2019apr\u00e8s-guerre et ses cons\u00e9quences. Avant la division Est-Ouest, il y a la fracture morale. On rencontre donc Michael \u00e0 quinze ans, puis on le suit dans ses ann\u00e9es \u00e9tudiantes, au moment o\u00f9 sa g\u00e9n\u00e9ration interroge frontalement la culpabilit\u00e9 allemande face aux crimes nazis.<\/p>

C\u2019est dans cette deuxi\u00e8me partie que le roman prend, selon moi, toute son ampleur. Il explore avec justesse le travail de m\u00e9moire, la honte, la responsabilit\u00e9 collective et la distance entre ceux qui ont v\u00e9cu la guerre et ceux qui en h\u00e9ritent. Cette r\u00e9flexion m\u2019a sembl\u00e9 \u00e9tonnamment actuelle. Publi\u00e9 en 1994, le roman ne para\u00eet jamais dat\u00e9. Seule la langue, plus soutenue que ce que l\u2019on lit aujourd\u2019hui, rappelle son \u00e9poque. Et encore, cela participe plut\u00f4t \u00e0 la densit\u00e9 du propos.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Une relation troublante, relue \u00e0 l\u2019\u00e8re post-MeToo<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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La relation entre Michael et Hanna m\u2019a profond\u00e9ment mise mal \u00e0 l\u2019aise. Aujourd\u2019hui, apr\u00e8s des lectures comme Le Consentement<\/em><\/a> de Vanessa Springora, on ne peut plus aborder cette histoire de la m\u00eame mani\u00e8re. Ce que vit Michael n\u2019est pas romantique. C\u2019est une relation d\u00e9s\u00e9quilibr\u00e9e, marqu\u00e9e par une asym\u00e9trie \u00e9vidente. Le roman ne romantise pas cette histoire pour autant. Il est explicite, parfois frontal, mais il ne la pare jamais d\u2019un vernis s\u00e9duisant. Les cons\u00e9quences psychologiques sont pr\u00e9sentes, durables. Une phrase, vers la fin, r\u00e9sume d\u2019ailleurs avec une grande sobri\u00e9t\u00e9 l\u2019impact irr\u00e9versible de cette relation sur Michael.<\/p>

C\u2019est sans doute l\u00e0 que le roman devient le plus int\u00e9ressant : il ouvre un espace de d\u00e9bat. Sur la m\u00e9moire, sur la culpabilit\u00e9, sur la responsabilit\u00e9 individuelle, mais aussi sur le consentement et la construction intime. Le liseur<\/strong> m\u2019a fait r\u00e9agir vivement, r\u00e9fl\u00e9chir longuement, et c\u2019est pr\u00e9cis\u00e9ment ce que j\u2019attendais de cette premi\u00e8re \u00e9tape dans mon exploration de l\u2019histoire allemande. Je poursuivrai avec le film<\/a>, puis avec d\u2019autres lectures pour approfondir encore cette question de la m\u00e9moire.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dans la s\u00e9rie RDA :<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Cet article s\u2019inscrit dans mon projet annuel autour de la RDA<\/a>. En 2026, j\u2019explore la R\u00e9publique d\u00e9mocratique allemande \u00e0 travers des livres, des films, de la musique et des r\u00e9cits personnels, pour mieux comprendre cette p\u00e9riode et la mani\u00e8re dont elle continue de r\u00e9sonner aujourd\u2019hui.<\/p>

\"\ud83d\udc49\" Retrouvez tous les articles li\u00e9s \u00e0 ce projet dans la cat\u00e9gorie RDA<\/strong><\/a>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Le liseur devant l’Opera sur le fjord d’Oslo R\u00e9sum\u00e9 \u00c0 quinze ans, Micha\u00ebl fait par hasard la connaissance, en rentrant du lyc\u00e9e, d’une femme de trente-cinq ans dont il devient l’amant. Pendant six mois, il … <\/p>\n","protected":false},"author":1,"featured_media":9248,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,2672,1],"tags":[2675,2678,2679,2677,2676,2659,2381,2680,2475,209],"class_list":["post-9247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hiver","category-rda","category-tout-le-blog","tag-bernhard-schlink","tag-der-vorleser","tag-diogenes","tag-gallimard-audio","tag-le-liseur","tag-litterature-allemande","tag-memoire","tag-projet-rda","tag-roman-allemand","tag-seconde-guerre-mondiale","has-single-img"],"yoast_head":"\nLe liseur de Bernhard Schlink - Sorbet Kiwi<\/title>\n<meta name=\"description\" content=\"Mon avis sur Le liseur de Bernhard Schlink, \u00e9cout\u00e9 en livre audio et lu en allemand : m\u00e9moire, fracture g\u00e9n\u00e9rationnelle et d\u00e9bat post-MeToo.\" \/>\n<meta name=\"robots\" content=\"index, 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